Box, The Nakajima's accompanying piece to his earlier 'Iron' is another meditative but much more cryptic and surreal poetic visual essay on technology, poetry and nature. If this isn't enough we get to see a Nazi-like woman who stabs her victims while raping them, and a man getting his anus kicked in so hard he has to plug it with a bottle of beer. He also hangs out with a troupe of old people, all of which are either depressed, alone, or nostalgic and all of which seem quaint, irrelevant and obsolete next to the modern youngsters. Dreams merge into reality, blackouts transport him and us to different places and times in the non-linear story, with key objects that include snail shells with a hole in them, and a broken watch and toy. Of Some Interest ABCs of Death, The A very colorful and extreme production of 26 horror shorts, each named after a letter in the alphabet and given to a director to do with it what they will. Features 13 various shorts, of which at least a handful are guaranteed to be exceptional. A challenging, intriguing watch that forces active understanding through abstruse mannerisms. And boy, do they let go of all restraints and limitations. There are smatterings of gore and nudity, but at the level of an Andy Milligan flick.
She runs over a badger, finds herself in a strange house occupied by a strange, bedridden, whimsical mother who talks to a rat and a radio, there's an oddly quiet son and daughter, a talking unicorn, many naked children, and lots of sheep, chickens and insects. The themes are nature and man, science and new sources of energy no alarmist or human-hating messages here , all wrapped in a continuous stream of inexplicable and bizarre fantasy. Visually wild and very unique, but the characters and story don't exactly leap out of the screen. One recurring theme in several shorts is technology getting a life of its own as cars and trains drive their drivers to scary destinations, surveillance cameras turn into aggressive robot-insects, ceilings lower themselves threatening to crush everyone and everything in the room, and a TV abuses its viewers at home in every channel until they order a TV exorcist to do battle with the evil contraption. The theme is marriage and society, as depicted by a couple with their marriage on the rocks. The mysterious 'The Beard' watches them from loudspeakers, while a nurse takes them through various odd colorful tests, including one where they get to perform on stage in an 'Insane Idol'. Like Chien Andalou, the focus is on provocatively bizarre imagery and a series of surreal vignettes, including scenes of a large woman smashing a harp with bread, melting omelettes and clocks laying about in strange places, cyclists with bread on their heads swarming around a piano like ants, strange performers in a tree, an unwanted corpse, nude disappearing women, esoteric, nonsensical dialogue and poetry, and more. The devilish fallen angels use everything they have against them, even using cell-phones to co-ordinate their plots. Her strange son, whom she has a borderline incestuous relationship with, is disgusted by the whole affair, only he has real powers. Acid House A twisted triptych of tales on the topic of losers who have really lousy lives only to get hit by something worse to make things more miserable. First and foremost is Lou, a party-animal that eats rotten pizza, takes any drug indiscriminately, has no idea when she had sex last, and ignores freaky skin diseases and mutated feet as minor annoyances. Begotten This one makes most surreal movies look like children's stories. They encounter hell in the form of shifting realities, a horde of feral freaks, gore-soaked orgies, a cult with bizarre and violent rituals, brutal tests, and confusing nightmares. There's also a crazy conspiracy lady that seems completely insane or is she? All this is shown in a combination of animation styles, often just scanning static artistic or grotesque paintings, and the rest of the time either employing crude animations or flowing psychedelic imagery, everything portrayed with endlessly inventive visuals, psychedelic effects, grotesqueries, or symbolic images exaggerated to the point of surrealism. And boy, do they let go of all restraints and limitations. Ballard that explores the mind of an insane man using segmented but abstractly linked chapters. There's no dialogue, only simple melodies and repetitive chants and lots of nature. Amanece Que no Es Poco One-of-a-kind Spanish surreal comedy that is so dense with gags, eccentricities, sketches, characters, fantastical absurdities and punchlines, that it is almost impossible to describe. I'm also not sure as to how they communicate and why they move their lips even though they have no voice, and why bells make noise but machine guns make text effects. Bunny the Killer Thing You will probably not know what you just watched when this demented one is over. Who will get to have a life in the wonderful insane asylum, and who will be equipped to leave and run the world? Bong Joon-Ho's "Shaking Tokyo" is my favorite, dealing with a hikikomori Japanese city-hermit with OCD who falls for a pizza-delivery-girl and forces himself to go out of his house for the first time in 11 years with surreal results. All of these are linked together in the mind and visually in the movie through geometry, shapes, common features, often shockingly juxtaposing entities such as sex with a model and Ronald Reagan, and car crash dummies with sexual positions he also wrote Crash. The theme is the effect of life in a big city taken to absurd extremes, and these movies could have been based in any city except they use some Tokyo-specific details. Stay A mainstream, subtly surreal movie with some Lynchian aspirations. There is a very strange killer in 'G is for Gravity' and that's all you can say about this puzzling one.
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